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Ben Paschal got a job working at The Memphian in 1962 as a doorman. In this video, he shares his memories of the nights that Elvis and his entourage would come in to watch movies after the theater had closed.
elvisking's place...
Welcome to my World...Here
terça-feira, 8 de dezembro de 2009
First look: Cirque du Soleil's 'Viva ELVIS' is larger than life
By Marco R. della Cava, USA TODAY
LAS VEGAS — Elvis is back in the building.
Swiveling, laughing, crooning and goofing, the King of Rock 'n' Roll explodes to life on a massive screen here in the new Aria Resort & Casino's Elvis Theater. Below this video clip of Presley, 40-some dancers and acrobats with blue loafers on their hands vamp through a Blue Suede Shoesretooled for the times – Elvis' voice laid over a thunderous romp that respectfully teases the original.
Having tackled The Beatles with LOVE, Canada's Cirque du Soleil takes on an American musical icon with Viva ELVIS. The show is unveiled to the public Dec. 18, two days after Aria opens in The Strip's newly built CityCenter district.
Rehearsals reveal a production that aims both to please die-hards (the nearly 30 songs feature Elvis on vocals) and seduce newcomers (the music is modernized and the sets are spectacle writ large).
"Our responsibility was to develop something that would look like what Elvis might do were he performing now," says executive producer Stephane Mongeau."It's not a show about Elvis. It's a show with him."
Unlike LOVE, which mates the Fab Four's whimsy with acrobatics, Elvis' straight-ahead canon necessitated an emphasis on music rather than circus.
"The driver here is Elvis' songs," says Mongeau, who notes that while LOVE uses snippets of 160 tunes, Viva ELVIS lingers on legendary hits such as I Want You, I Need You, I Love You and Suspicious Minds.
The talent pool assembled for this production is varied and impressive, including set designer Mark Fisher (the architect behind U2's innovative 360 Tour set) and choreographer Vincent Paterson (who has worked with Michael Jackson and Madonna).
"My goal is to give Elvis a Vegas comeback," says Paterson, the show's director.
It has been more than three decades since Elvis sold out the nearby Hilton Hotel. Today, seeing Elvis means hearing impersonators who freeze the icon in a bygone era. That irks Priscilla Presley, whose ex-husband would have turned 75 next month: "We have to keep Elvis in our times, not in the past."
She welcomed the young cast (many of whom were born after Elvis' death in 1977) to Graceland last spring to share personal stories about the man behind the myth. But an affinity already existed.
"Cirque du Soleil is known for taking risks, as Elvis was," she says. "But if I'm happiest about anything, it's the decision they made to let Elvis himself do the singing."
Source: usatoday.com
By Marco R. della Cava, USA TODAY
LAS VEGAS — Elvis is back in the building.
Swiveling, laughing, crooning and goofing, the King of Rock 'n' Roll explodes to life on a massive screen here in the new Aria Resort & Casino's Elvis Theater. Below this video clip of Presley, 40-some dancers and acrobats with blue loafers on their hands vamp through a Blue Suede Shoesretooled for the times – Elvis' voice laid over a thunderous romp that respectfully teases the original.
Having tackled The Beatles with LOVE, Canada's Cirque du Soleil takes on an American musical icon with Viva ELVIS. The show is unveiled to the public Dec. 18, two days after Aria opens in The Strip's newly built CityCenter district.
Rehearsals reveal a production that aims both to please die-hards (the nearly 30 songs feature Elvis on vocals) and seduce newcomers (the music is modernized and the sets are spectacle writ large).
"Our responsibility was to develop something that would look like what Elvis might do were he performing now," says executive producer Stephane Mongeau."It's not a show about Elvis. It's a show with him."
Unlike LOVE, which mates the Fab Four's whimsy with acrobatics, Elvis' straight-ahead canon necessitated an emphasis on music rather than circus.
"The driver here is Elvis' songs," says Mongeau, who notes that while LOVE uses snippets of 160 tunes, Viva ELVIS lingers on legendary hits such as I Want You, I Need You, I Love You and Suspicious Minds.
The talent pool assembled for this production is varied and impressive, including set designer Mark Fisher (the architect behind U2's innovative 360 Tour set) and choreographer Vincent Paterson (who has worked with Michael Jackson and Madonna).
"My goal is to give Elvis a Vegas comeback," says Paterson, the show's director.
It has been more than three decades since Elvis sold out the nearby Hilton Hotel. Today, seeing Elvis means hearing impersonators who freeze the icon in a bygone era. That irks Priscilla Presley, whose ex-husband would have turned 75 next month: "We have to keep Elvis in our times, not in the past."
She welcomed the young cast (many of whom were born after Elvis' death in 1977) to Graceland last spring to share personal stories about the man behind the myth. But an affinity already existed.
"Cirque du Soleil is known for taking risks, as Elvis was," she says. "But if I'm happiest about anything, it's the decision they made to let Elvis himself do the singing."
Source: usatoday.com
MJ Tops Internet Searches for 2009
DECEMBER 8, 2009
Michael Jackson tops this year's internet searches across the three biggest search engines: Google, Yahoo, and Bing. Jackson bumps Britney Spears from the top spot on Yahoo which she has held for the past four years. "When the news of Michael Jackson's death came out the traffic was overwhelming," said Vera Chan, Web trend analyst at Yahoo Inc.
Source: michaeljackson.com
segunda-feira, 7 de dezembro de 2009
Bad World Tour
The Bad World Tour was the first world concert tour by Michael Jackson as a solo artist, covering Japan, Australia, United States and Europe from September 12, 1987 to January 27, 1989. The tour, sponsored by PepsiCo and spanning 16 months, included 123 concerts to 4.4 million fans across 15 countries. When the tour concluded it grossed a total of $125 million, adding two new entries in the Guinness Book of World Records for the largest grossing tour in history and the tour with the largest attended audience. In the United States alone, where just 54 concerts were held, the tour came in as the 6th largest grossing tour from 1988-89, grossing a total of $20.3 million.
In April 1989, the tour was nominated for "Tour of the Year 1988" at the inaugural International Rock Awards. The tour lost to Amnesty International, but nothing could detract from the fact that Jackson's first solo tour was the largest and most successful in history.
At every concert (at least in the United States) Jackson made sure that 400 tickets were reserved for underprivileged children. These tickets were distributed across hospitals, orphanages and charities. Jackson also donated concert takings to multiple causes.
[1st leg]: 1987
Wanna Be Startin' Somethin'
Things I Do For You
Off The Wall
Human Nature
Heartbreak Hotel
She's Out Of My Life
Jackson 5 Medley
Rock With You
You Are My Lovely One
Working Day And Night
Beat It
Billie Jean
Shake Your Body [Down To The Ground]
Thriller
I Just Can't Stop Loving You
Bad
[2nd leg]:1988
Wanna Be Startin' Somethin'
Heartbreak Hotel
Another Part Of Me
I Just Can't Stop Loving You
She's Out Of My Life
Jackson 5 Medley
Rock With You
Smooth Criminal
Human Nature
Dirty Diana
Thriller
Working Day And Night
Billie Jean
Beat It
Bad
The Way You Make Me Feel
Man In The Mirror
Tour Dates
--------------------------------------------------------------------------------
09/12/87 Tokyo, Japan - Korakuen Stadium
09/13/87 Tokyo, Japan - Korakuen Stadium
09/14/87 Tokyo, Japan - Korakuen Stadium
09/19/87 Osaka, Japan - Hankyu Nishinomya
09/20/87 Osaka, Japan - Hankyu Nishinomya Stadium
09/21/87 Osaka, Japan - Hankyu Nishinomya Stadium
09/25/87 Yokohama, Japan - Yokohama Stadium
09/26/87 Yokohama, Japan - Yokohama Stadium
09/27/87 Yokohama, Japan - Yokohama Stadium
10/03/87 Yokohama, Japan - Yokohama Stadium
10/04/87 Yokohama, Japan - Yokohama Stadium
10/05/87 Osaka, Japan - Osaka Stadium
12/09/88 Tokyo, Japan - Tokyo Dome
12/10/88 Tokyo, Japan - Tokyo Dome
12/11/88 Tokyo, Japan - Tokyo Dome
12/17/88 Tokyo, Japan - Tokyo Dome
12/18/88 Tokyo, Japan - Tokyo Dome
12/19/88 Tokyo, Japan - Tokyo Dome
12/24/88 Tokyo, Japan - Tokyo Dome
12/25/88 Tokyo, Japan - Tokyo Dome
12/26/88 Tokyo, Japan - Tokyo Dome
10/11/87 Osaka, Japan - Osaka Stadium
10/12/87 Osaka, Japan - Osaka Stadium
11/13/87 Melbourne, Australia - Olympic Park Stadium
11/20/87 Sydney, Australia - Parramatta Stadium
11/21/87 Sydney, Australia - Parramatta Stadium
11/25/87 Brisbane, Australia - Brisbane Entertainment Centre
11/26/87 Brisbane, Australia - Brisbane Entertainment Centre
02/23/88 Kansas City, U.S.A. - Kemper Arena
02/24/88 Kansas City, U.S.A. - Kemper Arena
03/03/88 New York City, U.S.A. - Madison Square Garden
03/04/88 New York City, U.S.A. - Madison Square Garden
03/05/88 New York City, U.S.A. - Madison Square Garden
03/12/88 St. Louis, U.S.A. - St. Louis Arena
03/13/88 St. Louis, U.S.A. - St. Louis Arena
03/18/88 Indianapolis, U.S.A. - Market Square Arena
03/19/88 Indianapolis, U.S.A. - Market Square Arena
03/20/88 Louisville, U.S.A. - Freedom Hall
03/23/88 Denver, U.S.A. - McNichols Sports Arena
03/24/88 Denver, U.S.A. - McNichols Sports Arena
03/30/88 Hartford, U.S.A. - Hartford Civic Centre
03/31/88 Hartford, U.S.A. - Hartford Civic Centre
04/01/88 Hartford, U.S.A. - Hartford Civic Centre
04/08/88 Houston, U.S.A. - The Summit
04/09/88 Houston, U.S.A. - The Summit
04/10/88 Houston, U.S.A. - The Summit
04/13/88 Atlanta, U.S.A. - The Omni
04/14/88 Atlanta, U.S.A. - The Omni
04/15/88 Atlanta, U.S.A. - The Omni
04/19/88 Chicago, U.S.A. - Rosemont Horizon
04/20/88 Chicago, U.S.A. - Rosemont Horizon
04/21/88 Chicago, U.S.A. - Rosemont Horizon
04/25/88 Dallas, U.S.A. - Reunion Arena
04/26/88 Dallas, U.S.A. - Reunion Arena
04/27/88 Dallas, U.S.A. - Reunion Arena
05/04/88 Minneapolis, U.S.A. - Met Center
05/05/88 Minneapolis, U.S.A. - Met Center
05/06/88 Minneapolis, U.S.A. - Met Center
05/23/88 Rome, Italy - Flamino Stadium
05/24/88 Rome, Italy - Flamino Stadium
05/29/88 Turin, Italy - Comunale de Torino Stadium
06/02/88 Vienna, Austria - Prater Stadium
06/05/88 Rotterdam, Netherlands - Feijenoord Stadium
06/06/88 Rotterdam, Netherlands - Feijenoord Stadium
06/07/88 Rotterdam, Netherlands - Feijenoord Stadium
06/11/88 Gothenburg, Sweden - Erikburg Shipyard
06/12/88 Gothenburg, Sweden - Erikburg Shipyard
06/16/88 Basel, Switzerland - St. Jakob Stadium
06/19/88 Berlin, West Germany - Platz der Republik (Reichstag Building/ Berlim Wall)
06/27/88 Paris, France - Parc des Princes Stadium
06/28/88 Paris, France - Parc des Princes Stadium
07/01/88 Hamburg, Germany - Volkspark Stadium
07/03/88 Cologne, Germany - Mungersdorfer Stadium
07/08/88 Munich, Germany - Olympic Stadium
07/10/88 Hockenheim, Germany - Hockenheimring
07/14/88 London, England - Wembley Stadium
07/15/88 London, England - Wembley Stadium
07/16/88 London, England - Wembley Stadium
07/22/88 London, England - Wembley Stadium
07/23/88 London, England - Wembley Stadium
07/26/88 Cardiff, Wales - Cardiff Arms Park
07/30/88 Cork, Ireland - Páirc Uí Chaoimh
07/31/88 Cork, Ireland - Páirc Uí Chaoimh
08/05/88 Marbella, Spain - Municipal Stadium
08/07/88 Madrid, Spain - Vicent Calderón Stadium
08/09/88 Barcelona, Spain - Nou Camp Stadium
08/11/88 Nice, France - Stade Charles Ehrmann
08/14/88 Montpillier, France - Stade Richter
08/19/88 Lausanne, Switzerland - La Pontaise
08/21/88 Würzburg, West Germany - Talavera Wiensen
08/23/88 Wertchter, Belguim - Festival Grounds
08/26/88 London, England - Wembley Stadium
08/27/88 London, England - Wembley Stadium
08/29/88 Leeds, England - Roundhay Park
09/02/88 Hannover, West Germany - Niedersachsen Stadium
09/04/88 Gelsenkirchen, West Germany - Park Stadium
09/06/88 Linz, Austria - Linzer Stadium
09/10/88 Milton Keynes, England - The Bowl
09/11/88 Liverpool, England - Aintree Racecourse
09/26/88 Pitsburg, U.S.A - Civic Arena
09/27/88 Pitsburg, U.S.A - Civic Arena
09/28/88 Pitsburg, U.S.A - Civic Arena
10/03/88 East Rutherford, U.S.A. - Meadowloads Arena
10/04/88 East Rutherford, U.S.A. - Meadowloads Arena
10/06/88 East Rutherford, U.S.A. - Meadowloads Arena
10/10/88 Cleveland, U.S.A. - Richfield Coliseum
10/11/88 Cleveland, U.S.A. - Richfield Coliseum
10/13/88 Washington D.C., U.S.A. - Capital Centre
10/17/88 Washington D.C., U.S.A. - Capital Centre
10/18/88 Washington D.C., U.S.A. - Capital Centre
10/19/88 Washington D.C., U.S.A. - Capital Centre
10/24/88 Detroit, U.S.A. - The Palace of Auburn Hills
10/25/88 Detroit, U.S.A. - The Palace of Auburn Hills
10/26/88 Detroit, U.S.A. - The Palace of Auburn Hills
11/07/88 Irvine, U.S.A. - Irvine Meadowns Amphiteatre
11/08/88 Irvine, U.S.A. - Irvine Meadowns Amphiteatre
11/09/88 Irvine, U.S.A. - Irvine Meadowns Amphiteatre
11/13/88 Los Angeles, U.S.A. - Memorial Sports Arena
12/09/88 Tokyo, Japan - Tokyo Dome
12/10/88 Tokyo, Japan - Tokyo Dome
12/11/88 Tokyo, Japan - Tokyo Dome
12/17/88 Tokyo, Japan - Tokyo Dome
12/18/88 Tokyo, Japan - Tokyo Dome
12/19/88 Tokyo, Japan - Tokyo Dome
12/24/88 Tokyo, Japan - Tokyo Dome
12/25/88 Tokyo, Japan - Tokyo Dome
12/26/88 Tokyo, Japan - Tokyo Dome
01/16/89 Los Angeles - Memorial Sports Arena
01/17/89 Los Angeles - Memorial Sports Arena
01/18/89 Los Angeles - Memorial Sports Arena
01/26/89 Los Angeles - Memorial Sports Arena
01/27/89 Los Angeles - Memorial Sports Arena
Source: Wikipedia
Photos: google.com
reidopop.com
quinta-feira, 3 de dezembro de 2009
Sonic Boom: Michael Jackson lives on in classic video game soundtrack
Rumours have been swirling since 1993, and orchestral composer Brad Buxer finally confirmed in the latest issue of Black & White magazine (a French publication dedicated to reporting on everything MJ) that Michael Jackson played a big part in the composition of the music for the classic Sega Genesis video game Sonic the Hedgehog 3. Specifically, it is said that the ending credits are very similar to MJ's and the game helped develop the chord arrangement for the song "Stranger in Moscow." The interview with Buxer, who had worked with MJ on many musical projects in the past, reads as follows:
B&W: Can you clarify the rumor that Michael had in 1993 composed the music for Sonic 3 video game, for which you have been credited?
Buxer: I've never played the game so I do not know what tracks on which Michael and I have worked the developers have kept, but we did compose music for the game. Michael called me at the time for help on this project, and that's what I did.
And if he is not credited for composing the music, it's because he was not happy with the result sound coming out of the console. At the time, game consoles did not allow an optimal sound reproduction, and Michael found it frustrating. He did not want to be associated with a product that devalued his music...
B&W: One of the surprising things in this soundtrack is that you can hear the chords from Stranger in Moscow, which is supposed to have been composed later...
Buxer: Yes, Michael and I had composed those chords for the game, and it has been used as base for Stranger in Moscow. [...]
There are conflicting reports that MJ dropped out in the end due to either rising controversy surrounding his court cases or as noted in the interview, his general frustration with the audio output of the Sega Genesis console. Either way it's good to see this rumour finally confirmed, and the legend of MJ lives on in what is no doubt his greatest musical contribution ever. To read everything you could ever possibly want to know on the topic, check out the Sonic Retro Wiki which has an organized collection of all things related to the Jacko-Hedgehog controversy, or check out this YouTube video that compares songs from MJ and the game.
Source: network.nationalpost.com
Thursday, Dec. 03, 2009
Jackson film not part of Sony's new 3-D vision
By YURI KAGEYAMA - AP Business Writer
TOKYO -- Michael Jackson videos or the next Spider-Man movie won't be among the titles that Sony Corp. releases in 3-D as it gears up to boost TV sales with that technology, Chief Executive Howard Stringer said Thursday.
"I don't think that would make sense to be honest," he said in an interview at the Japanese electronics and entertainment company's Tokyo headquarters. "I don't think it will reveal anything else about Michael Jackson we would want to be see."
"Michael Jackson's This Is It," a Sony film about the King of Pop's final rehearsals before his June 25 death, has grossed more than $70 million in the U.S., and Sony is planning to release CDs and DVDs of the film.
In this Oct. 28, 2009 photo, Sony Corporation Chief Executive Officer and President Howard Stringer, center, smiles with Japanese guests at Japan premiere of "Michael Jackson's This is it" in Tokyo, Japan. Michael Jackson videos or the next Spider-Man movie won't be among the titles that Sony Corp. releases in 3-D as it gears up to boost TV sales with that technology, Stringer said Thursday, Dec. 3, 2009.
- Shizuo Kambayashi /AP Photo
The Jackson release has been one bright spot in a dismal earnings year for Sony, which has been battered by plunging global demand and a strengthening yen.
Stringer said he didn't think the next "Spider-Man" sequel would be in 3-D either, but a 3-D version of "Men in Black" was being considered. It was unclear what titles in Sony's extensive film library might be reissued in 3-D, he added.
With 3-D TVs, viewers perceive an illusion of depth when they wear special glasses. Sony has said it expects a third to a half of Sony TVs on sale will be packed with 3-D features in three years time.
Stringer was confident Sony will finally reap the benefits of being a company whose businesses span video games, gadgets, music and movies. The company has often pointed to its ownership of content as an advantage over competitors but benefits in boosting gadget sales have so far proved illusory.
Besides forays into 3-D, Stringer believes Sony couldn't have won the Blu-ray disc format war against HD-DVD without its strong relations with Hollywood studios.
Sony Pictures includes Columbia, Tristar and a home entertainment division. Sony, which makes Bravia TVs and PlayStation 3 game consoles, is also part of a consortium that owns MGM.
Blu-ray disc won the format battle in high-definition TVs last year, partly because of backing from Hollywood.
Sony's online service, set to be expanded next year from a version now offered for PlayStation 3, is another way its strength in entertainment will work as a plus, Stringer said. The service will offer downloads of games, video and other entertainment, according to Sony.
"You cannot create stand-alone hardware that has value by itself anymore unless you have some differentiating software," said Stringer.
Welsh-born American Stringer has promised "synergy" from owning hardware and software businesses since taking the helm as the first foreigner to head Sony in 2005.
But Stringer said he needed the latest management shuffle, which he spearheaded eight months ago, to remove barriers between Sony's sprawling businesses that he said operated like "silos" - not communicating effectively and sometimes competing.
"I do feel the group is operating in harmony and in the same direction," he said.
Under a comeback plan announced by Stringer last month, Sony is introducing a wireless version of its electronic book Reader later this year in the U.S., targeting 40 percent market share by the fiscal year ending March 2013.
The company is also developing its own display for TVs and lithium-ion batteries for electric vehicles.
Sony is still struggling, expecting its second straight annual loss for the fiscal year through March 2010. The $1 billion of red ink racked up the previous fiscal year was its first annual loss in 14 years.
Source: www.thestate.com
2009 Elvis Holiday Gift Guide is Now Available
12/2/2009
Whether you are looking for great Elvis gifts to buy for your favorite Elvis fans or wanting to give some hints to your loved ones, the 2009 Elvis Holiday Gift Guide is a great way to see what every Elvis fan will be hoping for this holiday season.
Click here to see and print the 2009 Elvis Holiday Gift Guide.
Source: elvis.com
Europa América com biografia de Michael Jackson
A biografia de Michael Jackson por Chas Newkey-Burden é uma das novidades da Europa América nos próximos dias. Mas há mais, como o novo livro de Jeffrey Archer, «Caminhos de Glória», um autor que já vendeu mais de 135 milhões de exemplares em todo o mundo; ou a também biografia de Calvino por Éric Denimal; ou a reedição de «A Falha», de Luís Carmelo, um dos livros marcantes da literatura nacional.
«Michael Jackson – A Lenda 1958-2009», de Chas Newkey-Burden
«No dia 25 de Junho de 2009, a notícia da morte de Michael Jackson marcou o fim trágico de uma vida extraordinária mas envolta em suspeitas há décadas. De facto, Michael Jackson era um homem de contradições. Discutivelmente a mais famosa estrela pop, Michael Jackson descrevia-se como «o homem mais solitário do mundo». A criança prodígio cujas actuações revelavam uma notável maturidade converteu-se num homem que demonstrava uma perigosa obsessão pela infância. O miúdo encantador que venceu as barreiras do preconceito tornou-se um homem que as operações plásticas e a cor de pele deixaram irreconhecível. E, apesar de ter vendido milhões de álbuns, o artista tinha dívidas que ascendiam a 300 milhões de dólares.
Nesta fascinante biografia, Chas Newkey-Burden passa em revista os mitos e os rumores e apresenta um retrato fiel do auto-intitulado «Rei da Pop», sem ignorar a controvérsia e respeitando o legado do génio cuja música tornou mais feliz a vida de muitas pessoas.
Chas Newkey-Burden é o aclamado autor de várias biografias sobre figuras tão mediáticas como Amy Winehouse e Paris Hilton e as suas obras foram traduzidas para várias línguas. É colaborador do Guardian e da Time Out.»
Source: diariodigital.sapo.pt
A biografia de Michael Jackson por Chas Newkey-Burden é uma das novidades da Europa América nos próximos dias. Mas há mais, como o novo livro de Jeffrey Archer, «Caminhos de Glória», um autor que já vendeu mais de 135 milhões de exemplares em todo o mundo; ou a também biografia de Calvino por Éric Denimal; ou a reedição de «A Falha», de Luís Carmelo, um dos livros marcantes da literatura nacional.
«Michael Jackson – A Lenda 1958-2009», de Chas Newkey-Burden
«No dia 25 de Junho de 2009, a notícia da morte de Michael Jackson marcou o fim trágico de uma vida extraordinária mas envolta em suspeitas há décadas. De facto, Michael Jackson era um homem de contradições. Discutivelmente a mais famosa estrela pop, Michael Jackson descrevia-se como «o homem mais solitário do mundo». A criança prodígio cujas actuações revelavam uma notável maturidade converteu-se num homem que demonstrava uma perigosa obsessão pela infância. O miúdo encantador que venceu as barreiras do preconceito tornou-se um homem que as operações plásticas e a cor de pele deixaram irreconhecível. E, apesar de ter vendido milhões de álbuns, o artista tinha dívidas que ascendiam a 300 milhões de dólares.
Nesta fascinante biografia, Chas Newkey-Burden passa em revista os mitos e os rumores e apresenta um retrato fiel do auto-intitulado «Rei da Pop», sem ignorar a controvérsia e respeitando o legado do génio cuja música tornou mais feliz a vida de muitas pessoas.
Chas Newkey-Burden é o aclamado autor de várias biografias sobre figuras tão mediáticas como Amy Winehouse e Paris Hilton e as suas obras foram traduzidas para várias línguas. É colaborador do Guardian e da Time Out.»
Source: diariodigital.sapo.pt
| Michael Jackson supera os 10 milhões de fãs no Michael Jackson é a celebridade mais popular do Facebook ao contar com mais de 10 milhões de fãs na rede social. |
10,4 milhões de utilizadores do Facebook são fãsde Michael Jackson. Trata-se de mais um recorde
para o rei da pop qeu fica assim à frente de Vin
Diesel, o actor conta com sete milhões de fãs e em
terceiro lugar aparece o presidente norte-americano
Barack Obama, com 6,9 milhões de seguidores.
Nas cinco primeiras posições, de acordo com
os dados do Facebook citados pela Europa Press,
aparece ainda a página do site da rede social,
com 5,8 milhões de fãs, seguido por Megan Fox, que contabiliza
5,1 milhões de seguidores.
Source: tvnet.sapo.pt
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